Quotes From "The Laugh Of The Medusa" By

1
When I write, it's everything that we don't know we can be that is written out of me, without exclusions, without stipulation, and everything we will be calls us to the unflagging, intoxicating, unappeasable search for love. In one another we will never be lacking. Unknown
2
And why don't you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven't written. (And why I didn't write before the age of twenty-seven.) Because writing is at once too high, too great for you, it's reserved for the great-that is for "great men"; and it's "silly."Besides, you've written a little, but in secret. And it wasn't good, because it was in secret, and because you punished yourself for writing, because you didn't go all the way, or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty-so as to be forgiven; or to forget, to bury it until the next time. Unknown
3
Men have committed the greatest crime against women. Insidiously, violently, they have led them to hate women, to be their own enemies, to mobilize their immense strength against themselves, to be the executants of their virile needs. Unknown
4
Hold still we're going to do your portrait, so that you can begin looking like it right away. Unknown
5
And, why don't you write? Write! Writing is for you, you are for you, your body is yours, take it. I know why you haven't written. (And why I didn't write before the age of twenty-seven.) Because writing is at once too high, too great for you, it's reserved for the great -that is, for "great men"; and it's "silly". Besides, you've written a little, but in secret. And it wasn't good, because, you punished yourself for writing, because you didn't go all the way; or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty -so as to be forgiven; or to forgot, to bury it until next time. Unknown
6
The future must no longer be determined by the past. I do not deny thatthe effects of the past are still with us. But I refuse to strengthen themby repeating them, to confer upon them an irremovability the equivalentof destiny, to confuse the biological and the cultural. Anticipationis imperative. Unknown
7
I write woman: woman must write woman. And man, man. So only anoblique consideration will be found here of man; it’s up to him to saywhere his masculinity and femininity are at: this will concern us oncemen have opened their eyes and seen themselves clearly. Unknown
8
Men still have everything to say about their sexuality, and everything to write. For what they have said so far, for the most part, stems from the opposition activity/passivity, from the power relation between a fantasized obligatory virility meantto invade, to colonize, and the consequential phantasm of woman as a “darkcontinent” to penetrate and to “pacify.” (We know what “pacify” means in terms ofscotomizing the other and misrecognizing the self.) Conquering her, they’ve madehaste to depart from her borders, to get out of sight, out of body. The way man hasof getting out of himself and into her whom he takes not for the other but for hisown, deprives him, he knows, of his own bodily territory. One can understandhow man, confusing himself with his penis and rushing in for the attack, mightfeel resentment and fear of being “taken” by the woman, of being lost in her, absorbed, or alone. . Unknown